Henrik Aflodal bjuder in till årgångsprovning av Glenfarclas. 40 årgångar från 1953 och framåt provas under ledning av Henrik Aflodal i Stockholm, Göteborg och Malmö. Whiskyn fördelas på flighter om åtta sorter med minst två tappningar från varje årtionde. Biljetter säljs här. I väntan på de dyra dropparna berättar John L S Grant storyn om Glenfarclas. Välkommen på Glenfarclas Family Casks Tasting.

Glenfarclas Family Casks Tasting 1953-1994
  White Gold – 1970s                                               JOHN L S GRANT tells the story about GLENFARCLAS | NEXT>>


1970s product range, "Glenfarclas All Malt Whisky" featuring ages: 21, 25, 8, 12, 15 and 12 again.

Demand for Glenfarclas continued to increase and, in October 1970, my father was running the distillery with a record 15 mashes each week. However, his cause was not helped by some particularly dry summers. His 1972 diary tells that, due to drought, it was the end of November before the distillery could run at full production after the summer ‘silent season’. No wonder his diary entry for 30th April, 1973 describes a late spring snowfall as ‘white gold’.

With demand for Glenfarclas outstripping supply, my father’s priority at the time was to increase capacity. Therefore, a deal with Chivas Brothers in 1973 could not have come at a better time. Not only was it one of our largest filling orders ever, it was secured for 20 years, allowing my father to press ahead with expansion plans. The malt barns and kiln were converted into an expanded mash house, tun room and mill, and two new stills were added. By 1975, the project was complete – and the
capacity of the distillery had been doubled. Despite the high demand, the early 70s presented major challenges. Rapid inflation was playing havoc with the cost of raw materials. The price for malted barley doubled from £57/tonne in 1973 to £114/tonne in 1974. Fuel prices too were soaring and I suspect my father questioned the wisdom of his decision to convert the stills from coal to LPG in 1973 when the price rose from £22.50/tonne to £48.50/tonne within a year.

On 1st July, 1973, we opened the distillery visitor centre, one of the first in the country. We had always welcomed guests but, as interest in distilleries grew and numbers increased, it was becoming impractical for our production staff to look after them. Having a dedicated team to look after our guests (and maybe sell them the odd bottle) was the way forward.
Construction of the visitor centre was unconventional to say the least. At auction, my father bought the wooden panels from the first class smoking lounge on the ocean liner, Empress of Australia, and designed the centre around them. Interest in distillery tours, featuring a dram in the ‘ships room’, was exceptional. We had 1000 guests in the first month alone.

In 1974, after three years each with Bank of Scotland and Wm Teacher Distillers Ltd, I joined the family firm. This was all well and good but, at first, it wasn’t entirely clear what I should do! Eventually, after some discussions with my father and a period of learning the ropes, it was agreed that I should concentrate on building sales of our own bottlings. It was a challenge I relished. One of the first distributors I appointed was Mahler-Besse SA in France; they remain our French distributor today.

The Grant family tree sprouted another branch when my son, George Stewart, was born on 17th August, 1976 – the sixth generation of Grants at Glenfarclas had arrived.
Another notable arrival was Margaret Thatcher, who visited for lunch and a dram in May 1977. There were no such indulgences for John Miller, who was under the legal drinking age when he joined the company as a cooper in 1978. Fifteen years later, he had worked his way up to Distillery Manager.

“We have bottled The Family Casks collection at natural colour in clear flint bottles, so you can enjoy the full palette of colours that make up Glenfarclas. But the casks from the 1970s are a warning not to taste purely on what you see! Take Cask 61 from 1977, for example. It is very light on the eye, but has a honey-sweetness on the nose which one would normally only expect from a much darker dram.”

George S Grant



1979 distillery staff
  

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